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If "Girlboss" has a counterpart here in the U.K., it would have to be the comedy series "Fresh Meat." That show follows a group of housemates through three years at university, from the start of their degrees to the end (approximately from the ages of 18 to 22). But Sophia is still the protagonist, and we're still ultimately supposed to root for her and for the successful launch of Nasty Gal.
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Employee reviews described the company as suffering from "pervasive low morale" and described Amoruso herself as "wildly disconnected from the reality of business."Īmoruso herself seems to agree with that assessment speaking to Forbes after her departure from Nasty Gal, the advice she offered to wannabe entrepreneurs was to "get some real management chops know more than I did before you try to do what I've done." The show itself is thoroughly unflattering and makes little effort to sand off Amoruso's rough edges (one episode centers around Sophia being outraged that Annie would dare to request a full-time paid job at Nasty Gal after putting in countless hours of unpaid labor). Then of course there's the problem of the real-life rags-to-riches success story that the show was based on - which, by 2017, was a rags-to-riches-to-bankruptcy story. Sophia Amoruso stepped down as CEO of Nasty Gal in 2015, and the company filed for chapter 11 bankruptcy the following year. But whereas Rebecca's exploits in "Crazy Ex-Girlfriend" typically resulted in pratfalls and humiliations, Sophia's were coupled with a rags-to-riches success story, and the use of "girlboss" in the title was mostly sincere, not ironic. Now, at the time it wasn't necessarily verboten for female protagonists to be flawed to the point of monstrous or to make consistently terrible decisions just look at the success of "Crazy Ex-Girlfriend," which debuted a couple of years earlier. Sophia is selfish, bad-tempered, irresponsible, loud, abrasive, and childish - labels that she wears proudly, for the most part. But the word "problematic" was still very much in vogue, and "Girlboss" had plenty of hooks upon which to hang the "problematic" label (not the least of which is RuPaul's character, who embodies a sassy-gay-Black-friend-who-only-exists-to-be-a-sounding-board-for-the-protagonist trope that should have been retired about a decade ago).
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"Girlboss" came out in 2017, when the word "girlboss" itself was already starting to fall out of favor and towards the plateau of purely ironic use. But the real highlight is an endlessly entertaining guest performance from "Yellowjackets" star Melanie Lynskey, who plays a neurotic, introverted vintage clothes connoisseur who ruthlessly goes to war against Sophia's careless attitude of cutting up and restyling clothes instead of carefully preserving them in a box with acid-free tissue paper. Also among the supporting players are Jim Rash ("Community"), Dean Norris ("Breaking Bad") and RuPaul (of "RuPaul's Drag Race") fame. It has a great best-friend dynamic between Robertson and Ellie Reed, who plays Sophia's longtime BFF Annie - and yes, we get an episode where you find out how they first met, á la the "Broad City" episode "Sliding Doors." It has dress-up montages and a bland-but-hot love interest. The cinematography is bright and colorful. It's major nostalgia-bait for those who entered the adult world in the mid-2000s.
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It's funny in that "Gilmore Girls," mile-a-minute quips, larger-than-life characters sort of way.